图片文件尺寸 : 14000 x 6766px
亨德里克·科内利兹（Hendrik Cornelisz）于4月29日在法拉盛举行的帕拉蒂纳选帝侯弗雷德里克·五世（Frederick V of The Palatinate）和伊丽莎白·斯图尔特（Elizabeth Stuart）的到来。Vroom-Hendrik Cornelisz. Vroom
4月29日，帕拉蒂纳选帝侯腓特烈五世和伊丽莎白·斯图尔特抵达法拉盛--Hendrik Cornelisz. Vroom (荷兰, 1562-1640)
2.
马克斯·斯莱沃格特《帕拉蒂纳特的风景》 高清作品[81%]
图片文件尺寸 : 2302 x 1916px
马克斯·斯莱沃格特《帕拉蒂纳特的风景》-Max Slevogt
Landscape from Palatinate--Max Slevogt (德国, 1868-1932)
3.
《帕拉蒂纳选帝侯约翰·威廉肖像》（1658-1716），作者：扬·弗朗斯·范·杜文 高清作品[76%]
图片文件尺寸 : 3250 x 4069px
《帕拉蒂纳选帝侯约翰·威廉肖像》（1658-1716），作者：扬·弗朗斯·范·杜文-Jan Frans van Douven
Portrait Of Johann Wilhelm, Elector Of The Palatinate (1658–1716)--Jan Frans van Douven (荷兰, 1656–1727)
4.
“帕尔蒂纳王子查尔斯·路易斯和他的导师沃拉德·冯·普莱森穿着历史服装”，作者：扬·利文斯 高清作品[71%]
图片文件尺寸 : 3611 x 3873px
“帕尔蒂纳王子查尔斯·路易斯和他的导师沃拉德·冯·普莱森穿着历史服装”，作者：扬·利文斯-Jan Lievens
Prince Charles Louis of the Palatinate with his Tutor Wolrad von Plessen in Historical Dress--Jan Lievens (荷兰, 1607-1674)
5.
Heinz Mack，当代艺术I 高清作品[28%]
图片文件像素：4698 x 4418 px
Heinz Mack，当代艺术I-
Heinz Mack * - Zeitgenössische Kunst I-
(born in Lollar, Hessen 1931)
Wing relief, 1989, signed, dated Mack 89, on the reverse again signed, dated, inscribed and with directional arrow, relief of aluminum grid, board and mirror, 81.5 x 101.5 cm, framed
Certificate:
Atelier Mack, Mönchengladbach, signed by the artist
Provenance:
Private Collection, Rhineland Palatinate
Private Collection, North Rhine-Westphalia - acquired from the above in 2006
Private Collection, Venice
Ketterer Kunst, Munich, 5 December 2006, lot 335
Literature:
Exhibition catalogue Galerie Ludorff, Düsseldorf 2020, p. 88
The Zero artist Heinz Mack discovered the effect of light on a piece of aluminium foil by accident. When he stepped on a piece of the foil lying on the floor, he created a carpet of light, a light reflector with the embossed pattern of his sisal carpet. This showed him how the light from the aluminium foil refracts and at the same time reflects the embossed pattern of the carpet. From then on, the effect of light in his works played a decisive role for Heinz Mack in the conception of his art. The character of the reliefs is that they capture the light and at the same time return it to the room.
The work offered here is from the series of so-called ‘wing reliefs’ (Flügelreliefs). Here Mack - unlike in his painting - does not experiment with colour, but with material and form, with the reflection and location of the viewer in the work. Mack uses a fine-meshed flexible expanded metal aluminium fabric for his wing reliefs, originally created for the aerospace industry. Its technical materiality allow the metal mesh to be given soft contours and to form varied patterns from the individual honeycombs. The artistic intention of making light, structure and movement visible is accentuated in a special way in the wing reliefs by the fine structure of the honeycomb fabric.
The structure of the relief allows the viewer to experience the refraction of light from different angles anew each time. The light refracts in the depths of the honeycombs and captivates the viewer.